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Schubert 1 & Dvořák 9
Franz Schubert, Antonin Dvořák

Adam Fischer

Schubert 1 & Dvořák 9

Price: € 19.95
Format: CD
Label: CAvi
UPC: 4260085535118
Catnr: AVI 8553511
Release date: 06 December 2024
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Label
CAvi
UPC
4260085535118
Catalogue number
AVI 8553511
Release date
06 December 2024
Album
Artist(s)
Composer(s)
EN
DE

About the album

WHY TO COUPLE SCHUBERT & DVO Ř ÁK ?

Not only because the artistic Director ADAM FISCHER and his Duesseldorf Symphonic are perfect partners as shown and prooved of the Mahler cycle, they recorded between 2016-2021.

There is a story behind the Schubert / Dvořák coupling: In an US magazine The Century Illustrated (New York 1894) Dvořák wrote an extensive feauture on Schubert as a forward looking composer, inventing many compositional details in his works etc..

Schubert's symphonies seemed to have been fairly unknown in the US at the end of the 19th century and Dvořák seemed to have forced himself to break a lance for his early Romantic colleague, categorizing him also into the top 5 league of world class composers, next to Mozart, Bach, Beethoven and placing him over Mendelssohn and Schumann.
It is remarkable to read the full length article by Dvořák as an anthem written for his soul mate Franz Schubert, full of excitement and admiration.

This feature leads to a new - or better - different and additional view on Schubert's symphonic works - and Adam Fischer does know the two composers very well.

Warum koppeln wir SCHUBERT & DVOŘÁK ?

Nicht allein aus dem Grund, dass der künstlerische Direktor ADAM FISCHER und seine Düsseldorfer Symphoniker perfekte Partner sind, was die Aufnahmen des Mahler Zyklusses zwischen 2016-2021 überzeugend geliefert hat.

Hinter diesem Projekt steht eine höchst interessante Geschichte: In dem US Magazine The Century Illustrated (New York 1894) hat Antonín Dvořák einen ausführlichen Diskurs über Schubert geschrieben und ihn als "modernen" Komponisten des 19. Jahrhunderts hingestellt, sowohl in seiner Kompositionstechnik, seinen Instrumentierungskünsten, als den "Erfinder" des Kunstliedes etc..

Schuberts Symphonien schienen Ende des 19. Jahrhunderts in den USA, als Dvořák in den USA lebte und arbeitete, so gut wie unbekannt gewesen zu sein, ausgenommen die große C-Dur und die "Unvollendete". Deshalb fühlte sich Dvořák fast genötigt, in der Serie dieses Magazins eine Lanze für Schubert zu brechen, die hohen Aufschluss gibt über Schubert, über Dvořáks Denken und seinen Blick auf die Musikwissenschaft. Entgegen einiger seiner Kollegen, positionierte er Schubert in den Top 5 der wichtigsten Klassik-Komponisten neben Mozart, Bach, Beethoven und stellt ihn auch über Mendelssohn und Schumann.

Es ist überaus aufschlussreich, diesen Artikel insgesamt zu lesen (Ausschnitte im Booklet). www.avi-music.de/html/2024/3511.html

Schubert und Dvořák in einer Seelenverwandtschaft.

Artist(s)

Düsseldorfer Symphoniker

“An orchestra for Düsseldorf”: that is the objective and the high standard that the Düsseldorfer Symphoniker set for themselves – 250 times a year. This orchestra has an uncommon profile, since it performs not only in the Tonhalle, but also for the Deutsche Oper am Rhein in Düsseldorf and in Duisburg. On its regular tours to Holland, Austria, China and Japan, the orchestra carries Düsseldorf’s reputation as a city of culture out into the world. Already in the 1700’s, internationally celebrated artists such as Handel and Corelli collaborated on occasion with the “Düsseldorf Court Orchestra” until the court was dissolved. A century later, in 1818, orchestral culture was re-introduced into Düsseldorf when the Municipal Music Society (Städtischer Musikverein) was founded, attracting celebrated musicians...
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“An orchestra for Düsseldorf”: that is the objective and the high standard that the Düsseldorfer Symphoniker set for themselves – 250 times a year. This orchestra has an uncommon profile, since it performs not only in the Tonhalle, but also for the Deutsche Oper am Rhein in Düsseldorf and in Duisburg. On its regular tours to Holland, Austria, China and Japan, the orchestra carries Düsseldorf’s reputation as a city of culture out into the world.

Already in the 1700’s, internationally celebrated artists such as Handel and Corelli collaborated on occasion with the “Düsseldorf Court Orchestra” until the court was dissolved. A century later, in 1818, orchestral culture was re-introduced into Düsseldorf when the Municipal Music Society (Städtischer Musikverein) was founded, attracting celebrated musicians of the likes of Mendelssohn and Schumann to serve as conductors. The orchestra became truly “municipal” in 1864, and after Aachen it is thus the second oldest civic orchestra in Germany. Throughout the following decades it became one of the leading and largest orchestras in the country. Its conductors in the postwar era have been Heinrich Hollreiser, Eugen Szenkar, Jean Martinon, Rafael Frühbeck de Burgos, Henryk Czyz, Willem van Otterloo, Bernhard Klee, David Shallon, Salvador Mas Conde, John Fiore and Andrey Boreyko. Starting in the 2015 season, Adam Fischer has taken up the post of Principal Conductor. The orchestra went on tour to Spain in 2011, guested at the Beethoven Easter Festival in Warsaw in 2012, and enjoyed resounding success in Moscow that same year. In 2014, the Düsseldorfer Symphoniker gave a superb début performance at the Musikverein in Vienna, and were likewise well-received at the Concertgebouw in Amsterdam. In May 2015 they made nine acclaimed appearances in Tokyo.


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Adam Fischer (conductor)

At the beginning of the 2015/16 season, Adam Fischer was appointed Principal Conductor of the Düsseldorfer Symphoniker and Artistic Consultant of the Düsseldorf Tonhalle. He is also Honorary Conductor of the Austrian-Hungarian Haydn Orchestra, founder of the Eisenstadt Haydn Festival, and founder and director of the Wagner Festival in Budapest. Well-known for his courageous political commitment, Adam Fischer has spoken out often in favor of human rights. Together with András Schiff he initiated and signed a petition against racism and discrimination, which they submitted to the European Union. Born in 1949 in Budapest, Adam Fischer studied composition and conducting in the Hungarian capital, and with professor Hans Swarowsky in Vienna. After appointments as Kapellmeister in Helsinki, in Karlsruhe and at Munich State Opera, Fischer held the post of General Music...
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At the beginning of the 2015/16 season, Adam Fischer was appointed Principal Conductor of the Düsseldorfer Symphoniker and Artistic Consultant of the Düsseldorf Tonhalle. He is also Honorary Conductor of the Austrian-Hungarian Haydn Orchestra, founder of the Eisenstadt Haydn Festival, and founder and director of the Wagner Festival in Budapest. Well-known for his courageous political commitment, Adam Fischer has spoken out often in favor of human rights.
Together with András Schiff he initiated and signed a petition against racism and discrimination, which they submitted to the European Union.
Born in 1949 in Budapest, Adam Fischer studied composition and conducting in the Hungarian capital, and with professor Hans Swarowsky in Vienna.
After appointments as Kapellmeister in Helsinki, in Karlsruhe and at Munich State Opera, Fischer held the post of General Music Director successively at the opera houses of Freiburg, Kassel and Mannheim, and was also Music Director of Hungarian State Opera in Budapest. Since 1999 he has been Chief Conductor of the Danish National Chamber Orchestra in Copenhagen.
Regular engagements have led Adam Fischer to perform in the great opera houses of Europe and the US, including Vienna, Milan, Munich, Covent Garden, the New York Met and Bayreuth Festival. In orchestra appearances he also conducts the Vienna Philharmonic, the Vienna Symphony, the Munich Philharmonic, the Orchestre de Paris, the London Philharmonic (LPO), the Orchestra of the Age of Enlightenment, the Chicago and Boston Symphonies and the NHK Symphony in Tokyo.
Fischer’s award-winning CD releases include the complete symphonic works of Haydn (distinguished with the German national prize “Echo Klassik”) and Mozart as well as the symphonies of Beethoven.
He has also been awarded the Grand Prix du Disque twice: for his recordings of Die Königin von Saba (Goldmark) and of Bluebeard’s Castle (Bartók). In 2017, Adam Fischer was named Honorary Member of Vienna State Opera.
Düsseldorfer Symphoniker “An orchestra for Düsseldorf ”: that is the objective and the high standard that the Düsseldorfer Symphoniker set for themselves – 250 times a year. This orchestra has an uncommon profile, since it performs not only in the Tonhalle, but also for the Deutsche Oper am Rhein in Düsseldorf and in Duisburg. On its regular tours to Holland, Austria, China and Japan, the orchestra carries Düsseldorf ’s reputation as a city of culture out into the world.
Already in the 1700’s, internationally celebrated artists such as Handel and Corelli collaborated on occasion with the “Düsseldorf Court Orchestra” until the court was dissolved. A century later, in 1818, orchestral culture was re-introduced into Düsseldorf when the Municipal Music Society (Städtischer Musikverein) was founded, attracting celebrated musicians of the likes of Mendelssohn and Schumann to serve as conductors.
The orchestra became truly “municipal” in 1864, and after Aachen it is thus the second oldest civic orchestra in Germany. Throughout the following decades it became one of the leading and largest orchestras in the country. Its conductors in the postwar era have been Heinrich Hollreiser, Eugen Szenkar, Jean Martinon, Rafael Frühbeck de Burgos, Henryk Czyz, Willem van Otterloo, Bernhard Klee, David Shallon, Salvador Mas Conde, John Fiore and Andrey Boreyko.
Starting in the 2015 season, Adam Fischer has taken up the post of Principal Conductor.
The orchestra went on tour to Spain in 2011, guested at the Beethoven Easter Festival in Warsaw in 2012, and enjoyed resounding success in Moscow that same year. In 2014, the Düsseldorfer Symphoniker gave a superb début performance at the Musikverein in Vienna, and were likewise well-received at the Concertgebouw in Amsterdam.
In May 2015 they made nine acclaimed appearances in Tokyo.
In 2017 the orchestra was invited to open the new concert hall in Arnheim, guested in Moscow and played again at the Concertgebouw in Amsterdam. The orchestra did various tours over the years.


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Composer(s)

Franz Schubert

Franz Peter Schubert was an Austrian composer. Schubert already died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the...
more
Franz Peter Schubert was an Austrian composer. Schubert already died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the most frequently performed composers of the early nineteenth century.
It was in the genre of the Lied that Schubert made his most indelible mark. Prior to Schubert's influence, Lieder tended toward a strophic, syllabic treatment of text, evoking the folksong qualities engendered by the stirrings of Romantic nationalism. Schubert expanded the potentialities of the genre like no other composer before.

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